Rosie Clements (*1990) works in photography, sculpture, and print. Across all mediums, her practice is fundamentally image-based. In her recent work, she makes digital photographs and reconstitutes them as physical objects, testing the ever-blurring boundaries between the material and the virtual.
Rosie has exhibited her work across the U.S. and internationally, including her first solo exhibition at McLennon Pen Co. in Austin, TX in 2024. Editorial clients include NYT Opinion, and Rosie’s work has been featured in publications such as BOOOOOOOM, Southwest Contemporary, Dazed, and It’s Nice That. Rosie was included in Lenscratch’s ‘26 to Watch’ list in 2023.
